In his youth, Rivas says, he was riddled by fear and uncertainty. He calls on individual audience members to read Rubirosa’s words aloud, an approach that disrupts the production’s flow and diminishes its dramatic impact a bit, especially in a show that runs only 70 minutes.Īt the end, I actually found myself wishing it were longer - a rare feeling as we near the end of a year in Boston-area theater that has included marathon productions of “Angels in America” and “The Lehman Trilogy.” Rivas seems intent on making “The Real James Bond …” an interactive show.